FILM REVIEW
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Utterly immersive debut from 20-year-old director examines the fragmentary and hallucinatory nature of memory and society through an endless series of frustrating, elusive, and creepy rooms in the basement of a discount furniture store.
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Documenting the ongoing destruction of houses and communities in Masafer Yatta, this essential film pierces through an issue that stubbornly cloaks itself in an aura of complexity.
